Peter Muir, photographed beside
the staff car
of the American Field Service in Paris
About the Author of War Without Music
Not only was Peter Muir active in the Battle of France to
the very end of the tragic debacle, but he saw the war on both
sides. He served in France as section leader of an ambulance
corps in the American Field Service; he was captured by the Nazis,
and saw at first hand the full force of the German juggernaut
before he made his escape.
Born in Charlottesville, Virginia, he drove an ambulance during
the first World War. In 1922 he served on President Hoover's
Relief Commission in Russia. Then after a period of newspaper
work in America and Europe, he lived in France for six years
previous to the outbreak of the present war. He has received
four citations for the Croix de Guerre, two during the first
World War, and two for his recent service in France.
He is still officially a German prisoner, according to a communication
from the German High Command, which has not learned of his escape.
WAR WITHOUT MUSIC by Peter Muir
All Americans may well feel a thrill of pride at this graphic
portrayal of the gallant and self-sacrificing aid rendered by
a group of their countrymen to tragic France in her dark hours
of disaster and defeat. Of their own free will, at their own
expense, the officers and .men of the American Field Service
Ambulances risked their lives by night and day that the wounded
and suffering might be solaced. This is the story of the Field
Service from the time it left a Paris in which no shouting throngs
sped the soldiers on their way, in which there were no sounds
of "Madelon" or "Tipperary," in which a nation
went grimly and without enthusiasm to a "war without music."
Mr. Muir's narrative begins with the writer in the hands of
the Nazi invaders. In the opening chapter he tells how he and
one of his associates and the staff car ran smack into a Nazi
advance guard, were promptly herded with the other prisoners
of war, spent one night in a bleak and drafty airplane hangar,
didn't like it a bit, and the next day began to plan their escape.
Then Mr. Muir "cuts back" to the early days of the
"phoney war" and tells how the Field Service was organized
and of some of the men who composed it. Among them were Americans
who had won war medals of all sorts in 1918, as well as youngsters
fresh from college in the United States, and one husky citizen
who pared ten years off his age to be sure he would get in. He
was actually over sixty.
When the Panzer divisions broke the lines of an army whose
soldiers were indomitable but whose high command in 1940 was
still preparing for the war of 1918, the Ambulance Section swung
into instant action. They lost four men in the blazing hell of
Amiens, they stood by and worked twenty-four hours a day while
the German planes bombed Beauvais, they participated in a dozen
phases of the bitter retreat that concluded with Marshal Pétain's
speech of capitulation to the relentlessly advancing Nazis. The
escape from their Nazi captors was effected by a magnificently
simple ruse. And, at last, with almost unbelievable luck holding
to the very end, Mr. Muir and most of his comrades of the Service
got across the border.
Here are unforgettable pictures of modern warfare, of the
effects of bombing, of the deadly work of Fifth Columnists, of
the machine-like efficiency of the Nazi juggernaut and the fanatic
automata who carry out Adolf Hitler's will to power, and of Paris
under German rule; a tragic portrayal of defeated France; a warning
to America, and a vision of the day when France will break her
shackles and rise again.
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